AN INSTRUCTIONAL JOURNEY ABOUT MASTERING THE CRAFT OF IMPRESSIONIST ART ----- This weekly blog is my present to you. I hope you find it helpful in your sacred labor and journey into that wonderful world of bringing all that is beautiful and perfect into the foreground. Feel free to post your comments or questions at the end of my blog and visit my website at annrobb-fuller.com to see more of my works. You may also connect with me through the following links:
Wednesday, May 19, 2010
The Impressionist's Interpretation of Shadows
The most striking characteristic of the first impressionists' paintings is perhaps their cool, blue or violet general tone. This is partially due to those impressionists decrying the uses of orange-sepia-varnished offerings of the painters of that time who tried to give their works a false age and a museum respectability.
However, it is chiefly the accidental result of the impressionists' habit of painting out-of-doors. Shadow tones on the bright days, when painters work out-of-doors, are likely to be blue or violet. And it is the color of the shadows, not of the lights, that determines the general tone of the painting.
In my painting shown above "Sunset at Baca House" this is clearly demonstrated, as the shadow tones would never have been duplicated working with a photograph or slide. Though somewhat exaggerated, it is still closer to the effect or mood that standing inside the scene creates.
"Sunset at Baca House" (20 " X 24") Oil on Canvas
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